Journey to the Golden Age

First post of 2018! As of NaNoWriMo last year, I’ve become consumed by this new project, the tentatively-named Cabinet of Wonders. Yesterday the word count of draft zero passed 65K. I’m not sure where it will go, but I’m struck at how transformative the writing process is, especially in a work that traverses time. It…

Hunter Gather: Art and Writing

This is a different kind of post. I’ve been so focused on writing this year – finishing the first rewrite of Bury the Sun and applying for various unpublished manuscript opportunities for both Sun and Birch. I’ve been pushing myself guiltily into pursuing the first New Year’s resolution I’d ever made: planning to submit Birch…

Woman with her throat cut: Musing on Final Portrait

An interesting thing happened during the Sydney Film Festival today. So, it’s a screening of Final Portrait, a bio-pic of Swiss artist Alberto Giacometti, starring Geoffrey rush. It’s a glorious film set in 1960s Paris, in monochromatic artist dwellings the same clay hues as the raw material worked by Giacometti himself. Directed by Stanley Tucci,…

Musing: Nest / Inga Simpson

This is less a review than a musing on Nest (by Inga Simpson, originally pub’d 2014 – yes, I’m always late to the show). Listening to the audiobook in January, I realised how fascinating it is to hear the author of a book narrate their own work. Authors understand their work like no other person can, including…

Birch: Memory External

Without intentionally writing it into the manuscript, the role of memory is a key driving force in Birch. Alyona, the central character, begins her story in purposeful denial of her family’s memory. She is forced to contend with the result of this denial when she becomes the primary caretaker of her grandmother, Irina Alexandrovna. Irina’s…