Fragments: Is there a R*ssian soul?

Fragments written 19 October 2022, musings on books read. You meant to come back to it. You thought on it so often. You wondered. But you couldn’t write it. So here’s the deal: write it, and don’t read it back. And one day, maybe at a future border where a stamp hovers above a passport,…

A Siren Story: Selfie and Psyche

New guest blog post at Sky Sirens’ Siren Stories. “Selfie and Psyche” is an exploration of mirrors, self-reflection, aerials and body. While Sydney is currently in lockdown, I’m re-reading these words as though written by someone else. It’s a strange and alienating experience. Where women take photos of themselves – though this generally applies to…

The Deborah Cass Prize for Writing 2020: “Birch”

In October 2020 I wrote about being short-listed for The Deborah Cass Prize for Writing. This moment floored me. It signified validation for a manuscript I have nurtured, abhorred and distrusted in various measure over the course of years, largely because of its underlying personal nature. A part of me believes that every writer’s first…

Heroines Women’s Writing Prize 2020: “Grey Wolf”

On 15 November 2020 I read aloud in public for the first time. Like many others, I am horrified at the prospect of public speaking, and yet, in the same vein of other events during the past two years, it was a moment of needing to conquer a fear. I read an excerpt from Grey…

Shortlisted: Heroines and Deborah Cass

Surprising no one who knows me, I cried on September 4 and October 12. On September 4, I found out I was short-listed for the Heroines Women’s Writing Prize. This was news beyond expectation for the first short story I’ve written this year. It’s a story that rends apart the classic Russian fable ‘Ivan and…

Write Me In Your Style | Rye Blood

The very talented Emma Darcy surprised me with a ‘Write Me In Your Style’ rendition of my story ‘Birch’. It was both an honour and a thrill to read it – not only had someone engaged with the work at such a level that they were inclined to explore it in their own form, but…

Update: Saint Petersburg, Self, S*x

It has been too long but in this time, I have been again to Saint Petersburg. I hoped, rather optimistically, to edit Birch in-situ, but instead spent time finding new ways of experiencing the city that informed most of my writing. I remember a moment of panic on the Sadovaya canal, the first morning I…

A new world: The Dangerous Bride | Lee Kofman

It is a glorious, frightening, changing time. I’ve found myself seeking out words to describe the sensuous, the sinewy, the indelibly physical. I returned to the eroticism of Anaïs Nin – that complex, tumultuous, passionate woman I discovered in my teens – and in the process, was directed by Walter Mason to The Dangerous Bride…

New writing: Daphne

New story online now thanks to Baby Teeth, a brilliant new arts journal based in Wollongong, NSW. For me, this was a far more experimental piece in both structure and content, inspired by true, horrific events. Please note the content warning for sexual assault and violence. I’m grateful and honoured Daphne saw the light. Read it HERE….

Reading and Taxidermy and Meanjin

This year. This maddening, sometimes wonderful year. I am so thrilled to share a short piece I’ve written for Meanjin – an incredible Australian literary magazine I’ve read and followed since uni. This is a happy tick on the writerly bucket list. I’ve dreamed of my writing being published by Meanjin, and this blog post as…